Following Nicola Conte’s route is almost like going back in time to the late Fifties, not only because that’s one of the music eras that he particularly likes but also because at that time jazz started being perceived in a different way. Musicians were being discovered, the first records from abroad were being listened to, there was a different atmosphere about, the atmosphere that later got recreated at Bari’s Fez, a real source of ideas, a true breeding ground for people, a place for cultural interchanges